front cover of Crusade Against Slavery
Crusade Against Slavery
Edward Coles, Pioneer of Freedom
Kurt E. Leichtle and Bruce G. Carveth
Southern Illinois University Press, 2011
Edward Coles was a wealthy heir to a central Virginia plantation, an ardent emancipator, the second governor of Illinois, the loyal personal secretary to President James Madison, and a close antislavery associate of Thomas Jefferson. Yet never before has a full-length book detailed his remarkable life story and his role in the struggle to free all slaves. In Crusade Against Slavery, Kurt E. Leichtle and Bruce G. Carveth correct this oversight with the first modern and complete biography of a unique but little-known and quietly influential figure in American history. 

Rejecting slavery from a young age, Coles's early wishes to free his family's slaves initially were stymied by legal, practical, and family barriers. Instead he went to Washington, D.C., where his work in the White House was a life-changing blend of social glitter, secretarial drudge, and distasteful political patronage. Returning home, he researched places where he could live out his ideals. After considerable planning and preparation, he left his family's Virginia tobacco plantation in 1819 and started the long trip west to Edwardsville, Illinois, pausing along the Ohio River on an emotional April morning to free his slaves and offer each family 160 acres of Illinois land of their own. Some continued to work for Coles, while others were left to find work for themselves. This book revisits the lives of the slaves Coles freed, including a noted preacher and contributor to the founding of what is now the second-oldest black Baptist organization in America. 

Crusade Against Slavery details Coles's struggles with frontier life and his surprise run and election to the office of Illinois governor as well as his continuing antislavery activities. At great personal cost, he led the effort to block a constitutional convention that would have legalized slavery in the state, which resulted in an acrimonious civil suit brought on by his political enemies, who claimed he violated the law by not issuing a bond of emancipation for his slaves. Although initially convicted by a partisan jury, Coles was vindicated when the Illinois Supreme Court overturned the decisions of the lower courts. Through the story of Coles's moral and legal battles against slavery, Leichtle and Carveth unearth new perspectives on an institution that was on unsure footing yet strongly ingrained in the business interests at the economic base of the fledgling state. 

In 1831, after less than a decade in Illinois-and after losing a bid for Congress-Coles left for Philadelphia, where he remained in correspondence with Madison about the issue of slavery. Drawing on previous incomplete treatments of Coles's life, including his own short memoir, Crusade Against Slavery includes the first published analysis of Madison's failure to free his slaves despite his plans to do so through his will and a fascinating exploration of Coles's struggle to understand Madison's inability to live up to the ideals both men shared.
[more]

front cover of A Cry for Justice
A Cry for Justice
Daniel Rudd and His Life in Black Catholicism, Journalism, and Activism, 1854-1933
Gary B. Agee
University of Arkansas Press, 2017
Daniel A. Rudd, born a slave in Bardstown, Kentucky, grew up to achieve much in the years following the Civil War. His Catholic faith, passion for activism, and talent for writing led him to increasingly influential positions in many places. One of his important early accomplishments was the publication of the American Catholic Tribune, which Rudd referred to as "the only Catholic journal owned and published by colored men." At its zenith, the Tribune, run out of Detroit and Cincinnati, where Rudd lived, had ten thousand subscribers, making it one of the most successful black newspapers in the country. Rudd was also active in the leadership of the Afro-American Press Association, and he was a founding member of the Catholic Press Association. By 1889, Rudd was one of the nation's best-known black Catholics. His work was endorsed by a number of high-ranking church officials in Europe as well as in the United States, and he was one of the founders of the Lay Catholic Congress movement. Later, his travels took him to Bolivar County, Mississippi, and eventually on to Forrest City, Arkansas, where he worked for the well-known black farmer and businessperson, Scott Bond, and eventually co-wrote Bond's biography.
[more]

front cover of Cultural Melancholy
Cultural Melancholy
Readings of Race, Impossible Mourning, and African American Ritual
Jermaine Singleton
University of Illinois Press, 2015
A daring cultural and literary studies investigation, Cultural Melancholy explores the legacy of unresolved grief produced by ongoing racial oppression and resistance in the United States. Using acute analysis of literature, drama, musical performance, and film, Singleton demonstrates how rituals of racialization and resistance transfer and transform melancholy discreetly across time, consolidating racial identities and communities along the way. He also argues that this form of impossible mourning binds racialized identities across time and social space by way of cultural resistance efforts.

Singleton develops the concept of "cultural melancholy" as a response to scholarship that calls for the separation of critical race studies and psychoanalysis, excludes queer theoretical approaches from readings of African American literatures and cultures, and overlooks the status of racialized performance culture as a site of serious academic theorization. In doing so, he weaves critical race studies, psychoanalysis, queer theory, and performance studies into conversation to uncover a host of hidden dialogues—psychic and social, personal and political, individual and collective—for the purpose of promoting a culture of racial grieving, critical race consciousness, and collective agency.

Wide-ranging and theoretically bold, Cultural Melancholy counteracts the racial legacy effects that plague our twenty-first century multiculture.

[more]

front cover of The Cultural Territories of Race
The Cultural Territories of Race
Black and White Boundaries
Edited by Michèle Lamont
University of Chicago Press, 1999
Even as America becomes more multiracial, the black-white divide remains central to understanding many patterns and tensions in contemporary society. Since the 1960s, however, social scientists concerned with this topic have been reluctant to discuss the cultural dimensions of racial inequality—not wanting to "blame the victim" for having "wrong values." The Cultural Territories of Race redirects this research tendency, employing today's more sophisticated methods of cultural analysis toward a new understanding of how cultural structures articulate the black/white problem.

These essays examine the cultural territories of race through topics such as blacks' strategies for dealing with racism, public categories for definition of race, and definitions of rules for cultural memberships. Empirically grounded, these studies analyze divisions among blacks according to their relationships with whites or with alternative black culture; differences among whites regarding their attitudes toward blacks; and differences both among blacks and between blacks and whites, in their cultural understandings of various aspects of social life ranging from material success to marital life and to ideas about feminism. The essays teach us about the largely underexamined cultural universes of black executives, upwardly mobile college students, fast-food industry workers, so-called deadbeat dads, and proponents of Afrocentric curricula.

The Cultural Territories of Race makes an important contribution to current policy debates by amplifying muted voices that have too often been ignored by other social scientists.

Contributors are: Elijah Anderson, Amy Binder, Bethany Bryson, Michael C. Dawson, Catherine Ellis, Herbert J. Gans, Jennifer L. Hochschild, Michèle Lamont, Jane J. Mansbridge, Katherine S. Newman, Maureen R. Waller, Pamela Barnhouse Walters, Mary C. Waters, Julia Wrigley, Alford A. Young Jr.
[more]

front cover of Culture Concept
Culture Concept
Writing and Difference in the Age of Realism
Michael A. Elliott
University of Minnesota Press, 2002

Examines the prehistory of the American struggle to address cultural difference.

"Culture" is a term we commonly use to explain the differences in our ways of living. In this book Michael A. Elliott returns to the moment this usage was first articulated, tracing the concept of culture to the writings-folktales, dialect literature, local color sketches, and ethnographies-that provided its intellectual underpinnings in turn-of-the-century America.

The Culture Concept explains how this now-familiar definition of "culture" emerged during the late nineteenth century through the intersection of two separate endeavors that shared a commitment to recording group-based difference-American literary realism and scientific ethnography. Elliott looks at early works of cultural studies as diverse as the conjure tales of Charles Chesnutt, the Ghost Dance ethnography of James Mooney, and the prose narrative of the Omaha anthropologist-turned-author Francis La Flesche. His reading of these works-which struggle to find appropriate theoretical and textual tools for articulating a less chauvinistic understanding of human difference-is at once a recovery of a lost connection between American literary realism and ethnography and a productive inquiry into the usefulness of the culture concept as a critical tool in our time and times to come.
[more]

front cover of Cutting a Figure
Cutting a Figure
Fashioning Black Portraiture
Richard J. Powell
University of Chicago Press, 2009
Examining portraits of black people over the past two centuries, Cutting a Figure argues that these images should be viewed as a distinct category of portraiture that differs significantly from depictions of people with other racial and ethnic backgrounds. The difference, Richard Powell contends, lies in the social capital that stems directly from the black subject’s power to subvert dominant racist representations by evincing such traits as self-composure, self-adornment, and self-imagining.
            Powell forcefully supports this argument with evidence drawn from a survey of nineteenth-century portraits, in-depth case studies of the postwar fashion model Donyale Luna and the contemporary portraitist Barkley L. Hendricks, and insightful analyses of images created since the late 1970s. Along the way, he discusses major artists—such as Frédéric Bazille, John Singer Sargent, James Van Der Zee, and David Hammons—alongside such overlooked producers of black visual culture as the Tonka and Nike corporations. Combining previously unpublished images with scrupulous archival research, Cutting a Figure illuminates the ideological nature of the genre and the centrality of race and cultural identity in understanding modern and contemporary portraiture.
[more]


Send via email Share on Facebook Share on Twitter